
FROM THE LINER NOTES:
In the early 1960s, when jazz was becoming angrier and more dissonant, Paul
Desmond teamed with Jim Hall for a series of albums that helped calm things
down. They took mostly standards and turned them into cozy dialogues for sax
and guitar, with the bass and brushes commenting discreetly. Desmond's cool,
feathery alto placed every note with care; likewise, much of Hall's eloquence
came in what he chose to leave out. This was midnight jazz when the rest of
the world has gone to sleep and even the smallest sounds can be heard.
Guitarist John Basile heard these albums years after they were made, and they forever changed his conception of jazz. "Compared to most guys, Jim and Paul used a lot fewer notes to get the same emotional and musical ideas across," he says. "That's so hard to do, but to me it's the ultimate in maturity. When I hear them play, I'm never aware of technique, only the music. I think that what they did should be acknowledged."
Hence this disc, the first recorded tribute to Desmond and his collaborations
with Hall and, in the '70s, guitarist Ed Bickert.
-- James Gavin
The John Basile Quartet
The Desmond Project
Recorded November 26-28, 1996, St. Peter's Episcopal Church, N.Y.C.
Chesky Records - JD156
John Basile/Guitar
Payton Crossley/Drums
David Finck/Bass
Allen Mezquida/Alto Saxophone
Producers: David Finck & David Chesky
Available from:
Chesky Records,
355 West 52nd Street, New York, NY 10019
Phone: 1-800-426-8576 or 212-586-7799
Fax: 212-262-0814
Internet: http://www.chesky.com
or cheskyinv@aol.com